I started collecting German
radio sets for their accurate design, resulting in reliable operation and in a
remarkable sound reproduction. The quality of German sets can be better
appreciated when compared with similar sets built in Italy in the same days.
Most of the Italian productions had no power transformer, the chassis being
connected to the mains, no built-in antenna, no tone controls, no multiple
speaker system. On the contrary, German radios were fine examples of engineering
with a lot of interesting solution, including:
Ø
Low-profile chassis, with expanded tuning dials.
Ø
Power transformer with insulated chassis, plus
high-efficiency Graetz-bridge selenium rectifier.
Ø
Internal AM/FM antennas, usually with AM rotary
loopstick.
Ø
Keyboard band/function switch.
Ø
Smooth tuning systems with reduction gears and
flywheels. Dual coaxial knobs for AM and FM or single knob mechanically driven
by band switching keys. Preset channels, band spread dials. Motor-driven auto
tuning in some models.
Ø
Loudness control plus tone controls and even tone
registers, sometimes in addition to IF variable bandwidth, driven by the same
tone control knobs.
Ø
Speaker systems including electrostatic or horn
tweeters.
When I started the
collection, AM broadcast stations were already in progress of being dismantled.
I focused then on FM radio sets, which could still be enjoyed today. The
drawback for most of German sets is the poor FM coverage, limited to 100 MHz.
Exhibits include radio sets from the very early introduction of FM, around
1950, to the late FM-Stereo vacuum tube radios, dated around the mid sixties.
It is very interesting to compare through the years the evolution of the audio
section, amplifier and speaker system, according to the evolution of sound sources.
Actually the very early FM
sets were just AM radios with added FM tuner. Program sources at the time were
the old standard-groove shellac records. The design of audio amplifiers and
speakers was still centered around 5 kHz bandwidth. With the introduction of
microgroove vinyl records, the bandwidth quickly jumped to about 15 kHz.
Speaker systems started then to include tweeters. The early low efficiency
electrostatic types were soon replaced by dynamic cones and even by horn
drivers.
The early approach to
stereophony, around 1957, was a 3D surrounding sound, with extra speakers added
on both sides, all driven by the same monophonic source. Later, even if the
tuner was still mono, audio section evolved with provision for full
dual-channel amplifier. Stereo sound was possible listening to stereo records,
or even to stereo tape sources.
We have to wait until the
mid sixties to see full stereophonic sets with FM stereo decoder. First, when
the service was still experimental in very few big cities, we find a simple
socket for optional stereo decoder, then the decoder was factory installed.
Most of these new sets, known as ‘steuergërat’, came with external speakers,
according to the standards introduced by American Hi-Fi sets. But the Japanese
industry was already moving to full solid-state. After few hybrid solutions,
German vacuum tube radios disappeared from the scene.
The collection well shows
the evolution through some fifteen years, from about 1950 to about 1965, with a
wide overview of models mainly from Graetz and Saba, but also from AEG,
Blaupunkt, Braun, Grundig, Telefunken and others even from other countries. The
exhibits are divided into three major groups:
Graetz was a typical German radio manufacturer. The collection includes
several FM vacuum tube models, from 1950 to about 1965, offering a quite
complete overview of the technical improvements through the years.
Model |
Year(s) |
Notes |
1950 / 1951 |
Rimlock tubes, electrodynamic speaker, 2 x EF42s in FM tuner. |
|
1951 / 1952 |
Rimlock tubes, electrodynamic speaker, 2 x EF42s in FM tuner. EL11 output amplifier, 6W. |
|
1953 / 1954 |
10 tubes, EL84 push-pull audio amplifier, 3 speakers. Power save switch. |
|
1956 / 1958 |
4 loudspeakers, with 2-way flute compressor. |
|
1957 / 1959 |
EL84 audio amplifier, 2 woofers, 1 mid-range and one 2-way flute
compressor. |
|
1961 / 1962 |
Stereo AF amplifier, 2x7.5W push-pull stages based upon EL95 power
tubes. 6 speakers. |
|
1964 / 1965 |
Solid-state stereo decoder, stereo push-pull amplifier with 2 x ECLL800,
2 speakers. |
|
1964 / 1965 |
Solid-state stereo decoder, stereo amplifier with a single ELL80, 2
speakers. |
Saba was well known worldwide for its top production.
Model |
Year(s) |
Notes |
1952 / 1953 |
EL34 audio amplifier, two speakers. Variable IF bandpass. |
|
1953 / 1954 |
12W audio amplifier w/ EL12, two speakers. |
|
1954 / 1955 |
EL84 audio
amplifier, 2 speakers. |
|
1955 / 1956 |
Low-end model, EL41 audio amplifier, single speaker. |
|
1956 / 1957 |
10 tubes,
auto-tuning, 4 speakers. |
|
1957 / 1958 |
Build-in record player, EL84 amplifier. |
|
1960 / 1961 |
Stereo amplifier, 2 x EL95, switched in push-pull like circuit when
mono. |
|
1960 / 1961 |
Auto-tuning, stereo amplifier, 2 x ECL86 |
|
1961 / 1962 |
Auto-tuning, stereo amplifier, 2 x ECL86 |
Brand
|
Model |
Year(s) |
Notes |
AEG |
4075WD |
1955 / 1956 |
SW band
spread, EL84 audio ampl, 3 speakers |
Blaupunkt |
Virginia 2430 |
1957 / 1958 |
EL84 audio amplifier, 3 speakers |
|
1958 / 1959 |
SW band
spread, 3 speakers, push-pull EL95. |
|
Braun |
1956 |
Four
bands, UKW, 7 tubes |
|
|
1961 |
Four
bands, 9 tubes plus selenium rect. |
|
Grundig |
1953 |
Variable
bandpass. 2, electrostatic and dynamic, speakers, EL12 audio amplifier. |
|
|
1955 / 1956 |
5
speakers, EL84 amplifier, remote control. |
|
|
1956 / 1957 |
Graphic
equalizer, 4 speakers, EL84 amplifier. |
|
|
Steuergerät 6199 |
1960 / 1961 |
Stereo push-pull amplifier, 2 x ELL80, external speakers, graphic equalizer. Mono tuner. |
|
1965 / 1966 |
3 tubes,
AM/FM, PE record player |
|
Kaiser |
1955 / 1956 |
3 speakers, EL84 amplifier. |
|
Metz |
1962 / 1963 |
Mono
tuner, stereo amplifier, 2 speakers. |
|
Nordmende |
1964 / 1965 |
Stereo
decoder, 2 x ELL80 p/p amplifiers, external speakers. |
|
Philips D |
1964 / 1966 |
Stereo
decoder, 2 x ELL80 p/p amplifiers, 2 speakers. |
|
Tekade |
1954 |
3 AM plus
FM bands, 8 tubes |
|
Telefunken |
1961 - 1962 |
Stereo
amplifier, record changer, 2 x EL84 amplifier, 4 speakers. |
|
|
Opus
Studio 2650 |
1963 - 1964 1965 - 1968 |
Vacuum
tube and hybrid ‘Steuergerät’ with external speaker
enclosures. |